October 19, 2016 - February 19, 2017 | California African American Museum, Los Angeles
CAAM presents the first museum exhibition of the work of Los Angeles artist Genevieve Gaignard, who deftly uses installation, photographic self-portraiture, and sculpture to explore race, femininity, and class—and their various intersections. The daughter of a black father and white mother in a Massachusetts mill town, Gaignard’s youth was marked by a strong sense of invisibility. Was her family white enough to be white? Black enough to be black? In this new, immersive installation she invokes post-Katrina New Orleans shotgun houses and white picket fences to address questions of “passing,” positioning her own female body as the chief site of exploration and challenging viewers to navigate the powers and anxieties of intersectional identity.
Influenced by the soulful sounds of Billy Stewart, the kitschy aesthetic of John Waters, and the provocative artifice of drag culture, Gaignard employs lowbrow pop sensibilities to create dynamic visual narratives. From the identity performance ritualized in ‘‘selfie” culture to the gender displays of hyper-femme footwear, Gaignard blends humor, persona, and popular culture to reveal the ways in which the meeting and mixing of contrasting realities can feel like displacement.
Gaignard received her BA in Photography from Massachusetts College of Art and Design (2007) and an MFA in Photography from Yale University (2014).
This exhibition is curated by CAAM’s Deputy Director, Naima J. Keith.
C&America Latina // Genevieve Gaignard: Smell the Roses
Wallpaper // After a family death, Genevieve Gaignard escapes with a colourful cast of alter egos
Artsy // With Costumes and Camp, Genevieve Gaignard Is Telling New Stories about Race and Beauty
LA Weekly // How Biracial Photographer Genevieve Gaignard is Raging Against Invisibility
LA Times // Genevieve Gaignard tackles race, class and identity at the California African American Museum
Culture Shock Art // Genevieve Gaignard at CAAM
Huffington Post // Artist Explodes Racial Stereotypes In Shape-Shifting Photographs
Hyperallergic // An Artist Reinvents Herself to Mine the Fictions of America
Forbes // LA's African-American Museum Launches Bold Fall Season
